lectures & seminars |
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»Tell me and I will forget. Show me and I may remember. Involve me and I will understand« (Konfuzius) |
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Summer 2015 Summer 2016 |
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Susanne Grabowski algorithmic art : lookAt. lookIn. lookThrough independent study in cooperation with Kunsthalle Bremen Students work independently but with support on a choosen algorithmic artwork from the collection of the Kunshalle Bremen. They analyze, de- and recode the work and find a solution to mediate the work to an audience in the museum. meeting upon agreement independent study (pdf) (german) images |
Example: Frieder Nake 1965 »Geradenscharen« upper left: original and further experiments |
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Winter 2014/2015 |
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Susanne Grabowski algorithmic art : lookAt. lookIn. lookThrough seminar & practical course in cooperation with Kunsthalle Bremen Students work intensively on a choosen work of algorithmic art. They analyze, de- and recode the work and find a solution to mediate the work to an audience in the museum. thursday, 2 6 p.m., OAS 3000 description in german |
Examples of re-codings from the seminar |
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Summer 2014 |
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Susanne Grabowski alogrihtmic art: analysing & designing independent study in cooperation with Kunsthalle Bremen Students work independently but with support on a choosen algorithmic artwork from the collection of the Kunshalle Bremen. They analyze, de- and recode the work and find a solution to mediate the work to an audience in the museum. wednesday from 2 p.m., OAS 3000 and upon agreement |
Examples of re-codings of Georg Nees |
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Winter 2013/2014 |
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Susanne Grabowski alogrihtmic art: analyzing & designing seminar & practical course in cooperation with Kunsthalle Bremen in this seminar we analyzing works of the 3 pioneers in early computer art: Georg Nees, Frieder Nake and Michael A. Noll. Students may find answers and solutions to the following questions: - How to analyze a work of algorithmic art. What is the difference to a comman work of art? - How to de- and re-code a work of algorithmic art? - How to mediate such an art work to an audience in a museum without any idea about programming? wednesday 12 - 4 p.m., MZH 1090 description in german Image Frieder Nake 13/9/65 Nr. 2: Homage à Paul Klee 1965 and screen-shots «Spannung» interactive installation Susan Grabowski & Matthias Krauß 2005 |
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Summer 2013 |
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Susanne Grabowski digital art : roots. tendencies. possibilities for learning seminar & practical course in cooperation with museum and school In this seminar students investigate different trends in art (e.g. concrete art, concept art, kinetic and machinic art) of their mathematical and algorithmic foundations. Further we investigate early works of computer art. Last we will do a journey to the present trends in digital art. The seen and discovered aspects will built a foundation for our own digital constructions. wednesday, 12 - 4 p.m, MZH 1470 description in german curtain : inspirated by Georg Nees |
Susanne Grabowski image . text . learning to see . learning to design seminar & practical course in this seminar we will discover the multiplex practices and possibilities to design digital media. The main goal is to acquire practical responsibility in designing different media-types (e.g. flyers, mailcards, posters). We follow Dewey's pricipal: learning by doing & reflecting |
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Winter 2012/2013 |
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Susanne Grabowski digital art: discover & inventing (seminar & practical course) in cooperation with museum and school in this seminar student develop analog and digital conceptions to mediating algorithmic art in museums or schools. wednesday 2 - 6 p.m., Mac-room MZH - O floor descripiton in german a work of Vera Molnar: analog and digial-interactive digital versions of Molnar & Kawano done by Processing |
Susanne Grabowski lying with images (seminar & practical course) in this seminar students can develope some designing skills while they are working with photoshop on portraits. a goal is to sensitize our perception to manipulated images. friday, 10 - 2 p.m., aesthetic laboratory, OAS 3021 descripiton in german morphodites: radinulian, sondreas, andina who is real? The final work was a photo-book: »WAHR WAS?« It contains famous images of 100 years of history. - always with the hidden question: What is true? |
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Summer 2011 |
Winter 2010/2011 |
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Colloquium for students with final thesis work every second week, tuesday 2 - 6 p.m. |
Colloquium for students with final thesis work every second week, tuesday 2 - 6 p.m. |
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Winter 2009/2010 |
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Daniel Cermak-Sassenrath, Bernd Robben, Susanne Grabowski Art in Action: Dada. Game. Installation (seminar & practical course) With an exhibition at "Museum Neue Weserburg", Bremen. Students developed computer game installations integrating aspects of dadaism and the following aspects:
xxxxxxresults as pdf (german) |
The resulting installations were called breakfastWar, Cabaret Tostaire, Choco Pacman, DadaLipper, sugar hunt, HugoBall, SillyHover and PoliShot. play with toasters, vacuum cleaner, hair dryer, iron etc. |
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Summer 2007 (PH Weingarten) |
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Martin Oswald, Michael Schwarzbauer & Susanne Grabowski Squares - Spaces for Art Seminar with scientifiic, artistic and didactic parts. Susanne Grabowski & Heloisa Correa Painting with a Brush. Painting with a Mouse. An experience of differentiation Interdisciplinary compact seminar in July 2007 |
Margarete Dieck & Susanne Grabowski Advising students in their school-pracitice: Subject: Art in primary school (3rd year) examples from painting with brush and mouse |
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Winter 2006/2007 (PH Weingarten) |
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Ingo Juchler, Susanne Grabowski, Sebastian Weiss German Foreign Policy. Podcasts as a didactic medium in lessons of politics (seminar & practical course); with interviews of soldiers who had been to Afghanistan Susanne Grabowski Digital Archives for Images. Preparation and administration of images - on examples of computer art Blockseminar |
Wolfgang Müller & Susanne Grabowski Using Digital Media in Mathematics Advising students in their school-practice: Subject: Mathematics in secondary school (7 year); |
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Summer 2005 |
Winter 2004/2005 |
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Frieder Nake & Susanne Grabowski Semiotics of Media: with Applications to Computer Art (seminar & practical course) |
Frieder Nake & Susanne Grabowski, Andreas Genz Foundations of Digital Media & Early Computer Art (seminar & practical course) |
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Summer 2004 |
Winter 2003/2004 |
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Frieder Nake & Susanne Grabowski Computers in Fine Art. Aspects of history and aesthetics (seminar) |
Frieder Nake & Susanne Grabowski Images of Computer Science. Algorithmic Graphics and Aesthetic Signs: a Challenge (seminar & practical course) |
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Summer 2003 |
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Frieder Nake, Susanne Grabowski, Martin Koplin, Malte Dietrich Foundations of Digital Media (lecture & practical course) |
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Winter 2001/2002 |
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Frieder Nake & Susanne Grabowski Introduction in Media-Informatics: Sound and Images (lecture & practical course) |
In this course we were asking the question: What did digitization do to the old media? About 100 students created presentations and installations on the media theatre, poster, radio, film, and television. The course finished with a "spectacl. Groups of students presented their results to the public at high school in Bremen. |
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Summer 2001 |
Winter 2000/2001 |
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Frieder Nake & Susanne Grabowski Computability and Interaction Computer science as technical semiotics (seminar); |
Frieder Nake & Susanne Grabowski Designing Digital Media: Interface (lecture & practical course); |
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Summer 2000 |
Winter 1999/00 |
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Frieder Nake & Susanne Grabowski Digital Media and Constructivist Theory of Learning (seminar); |
Frieder Nake & Susanne Grabowski, Andreas Genz Digital Media:Computer Science at the Turn of the Century. (lecture & practical course); |
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Summer 1999 |
Winter 1998/99 |
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Frieder Nake & Susanne Grabowski Computability & Interaction. Introduction to computer science in the arts (lecture & practical course); |
Frieder Nake & Susanne Grabowski Image.Text.Net. Visualization and visual quality (lecture & practical course); |
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